The Villa Arianna was one of the largest and most opulent of the villas of Stabiae, a wealthy Roman settlement just south of Pompeii. Like its neighbor, Stabiae was buried by the eruption of Mount Vesuvius in 79 CE, ending its ancient habitation but preserving its remarkable houses. The Visual Preservation of Roman Stabiae presents the first ever comprehensive survey of the decorated walls in the excavated parts of the villa. Based on research undertaken between 2011 and 2024 by faculty and students in the programs of Architecture, Art History, and Archaeology at the University of Maryland, it illustrates 113 in situ frescoes using an innovative method that combines hand-drawing with precise digital measurement. By opting to represent the frescoes together with their architectural context, and not as isolated images, it brings fresh analysis to the way Roman wall paintings interacted with their physical environments and with viewers.

AUTHOR

Joseph C. Williams (Ph.D.) is an Assistant Professor of Architecture at the University of Maryland and a historian of design and construction in premodern Italy.

List of contributors: Amanda K. Chen, Maryl B. Gensheimer, Thomas N. Howe, Artur Kalil, Gabriel Maslen, Luke Petrocelli, Adan J. Ramos, Ian Sutherland, Robert L. Vann, Joseph C. Williams.

REVIEW

‘A model that surpasses existing comparable publications, including the Haeuser in Pompeji series. This is an original methodology based on careful consideration of the problems of recording archaeological data in the digital age, and argues cohesively and compellingly for applying an “authority hierarchy” to archaeological data recording in general.’ Professor John R. Clarke, University of Texas at Austin

‘This book will be of interest to those working on Roman wall painting in particular, as well as researchers on the cities destroyed by Vesuvius or Roman domestic space more generally.’ Associate Professor Allison Emmerson, Tulane University